Blog Magog


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29.1.05

Mummysmack 



Here's a curious orange. There's a band called Mummysmack based in the West Country. They're essentially a rock band. They like rock music of the other type, founded more on the essence of metal than the values of indie/punk. As such, they appeal to the far-right, meathead metal press, the kind of press that still doesn't realise that Alice Cooper was being ironic, and that Motorhead were as much punk band as a heavy metal band. Normally this would mean that, as the self-righteous art rock indie kid that I supposedly am, the likes of Mummysmack would pass me by purely because, due to the taste effect, our paths wouldn't ever cross.

However, this time I'm in the know, entirely because Mummysmack's lead singer, lyricist, art director, visionary, mystic, and spacegirl, who goes by the nom de plume of Mana, is in fact Amanda Moseley. I met Amanda some eleven years ago, at a May Day party in Exeter, during a day off from the April May June tour; we were then and have remained kindred spirits. For a long time we were inseparable, we were even roomies in London at one stage. I can count the people that know me better than I know myself on the fingers of one hand (thumb included, there are exactly five of 'em), and of those people, Amanda "Mana" Moseley is the longest serving; we have joyfully put up with each other's extremes for all these years, supported each other no matter what, and laughed long and hard together at pretty much everybody else. She is like Lisa to my Bart, the smarter, younger sister that I never had. Subterraneans even recorded the lion's share of Soul Mass Transit in her house, while she fed and watered us with the imagination and artistry that she brings to all her endeavours. So I'm writing here to redress the balance. You may well read about Mummysmack on the same pages as the knuckle brained nu-metal bands, but don't fall into the trap of thinking that this is what they are - they most certainly are not, and never will be with Mana at the helm. She's always been a star, and any fuss that is made about Mummysmack over the coming months is simply the world catching up with something I've known all along, so nothing new there (ahem...). Mummysmack have the soul, the mass, and the transit that makes artists out of mere musicians; they have it all to say, they say it bloody loud, and through Amanda Moseley they say it with a flair and integrity that no metal band could ever have done. And so it is that I am writing about them, to confuse you as much as possible, so that you'll throw out any indie prejudices and lend them your ears. Don't be put off by ice-cream cone shaped guitars or massive trousers; think music, think depth, keep it real, loosen up, and just listen. Cross over, tear down your genre ethics, and turn the volume back up to 11. You'll get it, because they are not the same, they are not what rock genre politics would have you expect, and they do it better than the rest. Trust me, I'm a punk.





22.1.05

Billy 



You're the king of rock'n'roll
You're the wild and lonely
You're the singer, song, and soul
You're the one and only...






11.1.05

Three Decades of PATTI SMITH 



And now it's 2005. Thirty years since the release of Horses, the greatest debut album ever made (or yer munny back). It introduced the world to Patti Smith. There has never been any debate about its greatness, it was always obvious. So, why is it so great? Well, for starters, the opening song is "Gloria", which begins with the spoken line "Jesus died for somebody's sins, but not mine"; simply the most potent and powerful opening lines ever committed to vinyl. Even the creators of the world's greatest literature would die for an opening line like that. It was as statement of intent to which Patti Smith has remained completely true for three decades, never once bowing to the pressures of commerce. She is benediction. She is all artist. That's how good she is, still. She has made nine albums, for me numbering eight total masterpieces and one near masterpiece; Dream of Life, the only record she released in the Eighties (and the only one not to feature Lenny Kaye), was never quite in the same league as her earlier work, but her return to the studio in 1996 for Gone Again marked a complete return to form on which she has consistently continued to improve ever since. Her most recent album, last year's Trampin', was simultaneously the most challenging and most beautiful record of 2004, I think even beating Morrissey into second place.

You get the picture. I love Patti Smith. She amazes me even more now than she did before. Her records are an education. For the post-punk generation, she is a prophet and a shaman. For me, her music, live and on record, is THE religious experience. And "Gloria" remains at the eye of her hurricane. You don't even know what live music is until you've been in the audience when she sings that one. It'll shoot you clean over the edge of any reality into a place you didn't even know about, that you never even dreamed of. It will sweep you over the horizon at breakneck speed, and no drug will ever take you higher than this woman's music. Your feet won't touch the ground, but you'll kiss the sky at last.

She's still at it, in fact she's better than ever, and what's more she is still flanked by original band members Lenny Kaye on guitar and Jay Dee Daugherty on drums, who have shared her journey since the early Seventies, since I was born. And not for her the cabaret of past glories; she is still creating the most fierce, important and cutting edge music of any American artist. She has become mythic and mystic, but without an iota of compromise. She is unique. She is glorious.

Listen to Horses sometime soon, and live in hope, because this is happening now and it's all ours. Then listen to Radio Ethiopia, Easter, Wave, Dream of Life, Gone Again, Peace and Noise, Gung Ho, and Trampin'. Just because you can. And because it's still the best, loudest, most beautiful and most dangerous art in the whole wide world.






6.1.05

George W. Bush 


Wanker...

http://www.bopbush.com/






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